How to write multiple points of view  

Some stories benefit from being told from multiple perspectives. The challenge is how to do it without confusing your readers.

3 reasons to use multiple perspectives in your stories

Most stories are told from a single point of view—whether it’s an omniscient point of view or a close-knit third-person perspective tailored to your protagonist’s thoughts. But sometimes your story feels so expansive that it needs to be told from multiple characters’ perspectives. The technique of writing from many angles can also create dramatic twists and ironies. Here are some reasons you might want to write from multiple perspectives:

To create complexity: Bringing in side characters with opposing points of view allows you to explore your themes, settings, and moral gray areas from a variety of angles, which maintains complexity. and keep the reader interested. Changing perspective can help your readers get to know different characters’ underlying voices and stories, and is especially helpful in stories where plots intersect. Just remember that all that complexity adds pages to your story—so it might not be the best choice for a short story.

To develop suspense: In horror or mystery movies, multiple perspectives can be used to create suspense. Sometimes, you can choose a side or side character’s point of view. This minor character’s curiosity or confusion can guide the reader to ask the question you want them to ask. Perhaps your protagonist knows something that you don’t want the reader to find out yet. The supporting characters don’t know the information, so narrating from their point of view allows you to retain information from the reader in a sensible way. Point of view can also be used for the opposite: giving the reader more information than the characters have. Switching perspectives allows you to give the reader a fuller picture. For example, your protagonist doesn’t know that a killer is right outside the door, but by switching to another character’s POV, you can tell the reader something the hero doesn’t. This tension will keep a reader at the edge of their seat.

To reveal an unreliable narrator: If your story is told in first person from an unreliable narrator’s point of view, you can switch to another character’s perspective later there to reveal the cracks in the first version of the story. Your readers will then see the story in a whole new way. This can help you create interesting episodes.

5 Tips for Writing From Multiple Perspectives

Switching between characters’ perspectives can be a great tool in fiction writing, but it can also confuse your readers. Here are a few ways to make multiple points of view work in your creative writing:

Training the most important character. When choosing which character will serve as your main point of view for any chapter or scene, try to forge who has the most to lose or learn. Whichever character is facing the highest stakes – the one who loses the most in a particular scene – will be watching closely as their thoughts and reactions will bring the most tension. for readers. The character with the most to learn is usually an equally good choice. Readers tend to identify with the characters they are learning, and through these characters you can provide valuable information to the reader. If you have two main characters, make sure that each main character tells the same number of scenes.

Use different perspectives to build characters. Point of view is an essential tool in character development. You are describing the world through their eyes and letting the reader know what they think and feel. You always need to know what the limit of your characters is. Regularly review your writing to find mistakes you may have made in giving information or character opinions they wouldn’t normally have.

Stick to one point of view for each scene. It’s important to note that when you’re establishing a point of view, you’re creating a kind of contract with the reader: that you’ll adhere to that point of view throughout the course of the scene. It’s okay to have different subplots told from different points of view in your novel, but you should treat each point of view as a separate section or chapter. For example, if you’re narrating in second person from your hero’s point of view, and in the middle of a scene, you suddenly switch to another character’s third-person perspective, the interruption will cause people Your reader feels uncomfortable of the story.

Clearly define a change of opinion. Every time you change your mind, make it much clearer to your readers. If your readers are busy trying to figure out which character’s head they’re in, they won’t pay much attention to what’s going on in the story. All of that can frustrate your readers. You can make this clear to the reader by giving each character a unique voice, repeating the character’s name, or having one character tell in the present tense and another in the past tense. Another strategy is to give you frequent opinion changes so that your readers can anticipate those changes.

Give each character a unique perspective and voice. Each character should have something unique to contribute to the story that only they can share. You don’t have to change your point of view, but you should give your characters their own personality and perspective. If all of your characters have the same voice, your reader will be confused as to who is speaking. Plus, the characters don’t seem real or believable.

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